The undergraduate program is based on a dual perspective: on one hand, students seek and develop their own graphic styles, on the other hand, they learn to be mobile and to adapt to international environments. Three main skills are particularly enhanced:

1st Principal Axis: Being an transmitter of imagination

In the same vein as the Impressionists, we continue to draw inspiration from Asian art its revival. Through examination of Japan from different cultural angles, the designer becomes a cultural mediator capable of both creative synergy and singularity. From this point follows innovation and renewed creativity.

2nd Principal Axis: Cultural Exchange as a Source of Creativity

In the same vein as the Impressionists, we continue to draw inspiration from Asian art its revival. Through examination of Japan from different cultural angles, the designer becomes a cultural mediator capable of both creative synergy and singularity. From this point follows innovation and renewed creativity.

3rd Principal Axis: Fulfillment in One’s Career Abroad

More than an economic phenomenon, internationalization is a process of innovation that is capable of generative new forms of creativity, organization, strategy and professional culture. Being a designer is to have one’s actions take place in new cultural networks and to be able to create exchanges between cultures and people.